Galactic feat. Anjelika Jelly Joseph – Tickets – Washington’s – Fort Collins, CO – March 14th, 2020

Galactic feat. Anjelika Jelly Joseph

Galactic

Anjelika Joseph, Naughty Professor

Washington's
$30.00 - $35.00
All Ages
Galactic feat. Anjelika Jelly Joseph with Naughty Professor

Galactic feat. Anjelika Jelly Joseph

Galactic’s first new studio album in more than three years, ALREADY READY ALREADY – released on their own Tchuop-Zilla Records – sees the renowned New Orleans based instrumental outfit taking a distinctly contemporary approach towards their own progressive sound, interpolating modern rhythms and electronic instrumentation within the house-shaking framework of the Crescent City’s funk pop ‘n’ roll. Produced by the band’s Robert Mercurio and Ben Ellman, the new LP finds Galactic once again enlisting a diverse array of vocal collaborators to assist in their musical exploration, each of whom lend lyrical flavor and individualistic personality to the band’s multi-faceted sonic grooves. Bookended by a high powered pair of trademark Galactic instrumentals that give the album its title, ALREADY READY ALREADY. The album is a short, sharp blast of undeniable creative muscle, from the stripped down kick/snap verses of “Going Straight Crazy,” featuring New Orleans singer (and YouTube sensation) Princess Shaw, to punk cabaret artist Boyfriend’s quirky speed-rap on the breakneck “Dance At My Funeral.” As ever, Galactic’s omnivorous musical interests make easy classification utterly impossible – ALREADY READY ALREADY is as all encompassing and universal as the band’s moniker established long ago.

“I’ve never been able to put a label on what we do,” Ellman says. “I could say it’s funk or I could say it’s R&B or jazz or whatever else, but really, it’s all of that.”

“It’s not that we’re always trying to push boundaries,” says Mercurio, “but we definitely take influence from our hometown and try to do something new with it. We tour all around the world and we’re exposed to tons of elements that filter their way into our consciousness and come out through our music.”

Though their hearts are always in New Orleans, Galactic spends virtually all its life on the road, leaving limited timeframes in which to record. Whenever time allowed, the group holed up at their studio headquarters, Number C, where they were free to experiment and develop new ideas.

“Having our own studio allows to not be on some schedule,” Ellman says, “where we have to have material, save up some money, book the studio, and that’s the time we have to make a record. It’s a completely different process, where we can always be working on music.”

Over time, the tracks revealed themselves as either instrumentals (like the slippery, dub-inflected “Goose Grease”) or vocal songs. The band, so well woven into their city’s ever-changing music scene, began to thumb through their little black book in search of collaborators.

“Our community is so rich with talent,” Ellman says. “We’re just lucky to be in a situation where we can make phone calls, then someone comes to the studio, we kick it, start working on things. It’s all really organic.”

Galactic brought in a diverse array of predominantly young female singers, each of whom brings their own disparate musical tastes and cultural flavor. Working with artists lesser known on the national stage but beloved in their own community enables Galactic to evince a kind of sonic truth about their hometown, putting its multi-faceted underground to the fore.

“Trust me, I loved having Macy Gray and Mavis Staples on our last record,” Mercurio says. “It was an honor to work with them. But there’s something fun about making music with someone not everybody has heard of and end up getting a great reaction to it. There are no preconceived thoughts as to what the song should be like because the listener doesn’t know the artist as well.”

That being said, a number of the voices heard on ALREADY READY ALREADY are Galactic veterans: “Touch Get Cut” features the band’s touring vocalist, Erica Falls, while “Clap Your Hands” is sung by Ms. Charm Taylor, previously featured on 2015’s acclaimed INTO THE DEEP. The lilting “Everlasting Light” teams Galactic with frequent collaborator, The Revivalists’ David Shaw, alongside Nahko of Nahko & Medicine For The People – the only non-New Orleans resident among the features.

As for working with Nahko, Ellman says, “We just liked his vocal.” “Being from New Orleans isn’t a prerequisite for working with us. You never want to be restricted, it’s whatever serves the song best.”

Galactic is, likely even at this very moment, on the road as usual, with Erica Falls putting her own stamp on ALREADY READY ALREADY’s songs as they manifest new shapes through live performance. As if their perpetual tour schedule weren’t enough, Galactic announce the band’s purchase and future stewardship of New Orleans’ legendary Tipitina’s nightclub.

“We’re so incredibly honored to be tasked as the current caretakers of such a historic venue,” says Ellman. “My connection with the club started way before I was lucky enough to take the stage. My first job in New Orleans was at Tipitina’s as a cook in the (now defunct) kitchen. The importance of respecting what Tip’s means for musicians and the city of New Orleans is not lost on us. We’re excited for the future of the club and look forward to all the amazing music and good times ahead.”

With that in mind, it turns out that, despite the lack of released work, the past three years have in fact been remarkably prolific for Galactic. The sessions that yielded ALREADY READY ALREADY will generate still another LP due later in 2019, one which Ellman describes as “possibly more of a throwback thing” but will almost certainly morph into something altogether new and wonderful via Galactic’s evolutionary musical vision.

“There’s no telling what those songs will sound like when we’re through,” Mercurio says. “Once we get in there and start twisting them, see what perks up our ears, stuff can definitely take a left turn. That’s kind of the story of Galactic right there – we’re constantly taking left turns. I wonder what it would be like if we took a right…?”

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Naughty Professor

Naughty Professor is an iconoclastic New Orleans-based jazz-funk sextet whose adventurous recordings and horn-charged, high-energy live performances have earned them an enthusiastic fan base, critical acclaim, and widespread attention from their musical peers.

Their diligent roadwork has established Naughty Professor as a beloved live act. Weaving together complex, inventive compositions and loose, organic improvisation, the band honors their hometown's jazz, R&B and brass-band traditions while looking to the future.

Naughty Professor raises the stakes on its new album Identity (Release date June 23rd, 2017). Where their prior four releases showcased the group's knack for self-contained instrumental experimentation, Identity finds the band teaming with a stellar assortment of more than a dozen cutting-edge collaborators, whose vocal, instrumental and compositional contributions expand the music into new musical territory.

Identity's prestigious gallery of guests includes Jurassic 5's Chali 2na, who's featured on a pair of tracks, "Darker Daze" and "Sugar Coat," which also features contributions from New Orleans legend Ivan Neville. David Shaw of the Revivalists lends his vocals on "Stray" and singer/guitarist Dexter Gilmore contributes on "I Can't Sleep At Night." Additional special collaborators include trumpet player Eric “Benny” Bloom of Lettuce, percussionist Mike Dillon, much-lauded jazz vocalist Sasha Masakowski and members of the renowned New Orleans horn outfit Soul Rebels, who turn up the brass on the album-closer "Funk 4 Lunch."

"They're not just guests," explains Naughty Professor drummer Sam Shahin. "The collaborators on this album were chosen because we respected what they do and felt that they could be a complement to our ensemble.”

"When these kids first started coming up on the scene, I could tell right away that there was something very special about their energy and music," David Shaw comments on his excitement to collaborate with Naughty Professor. "I believe that the sky has no limit for these boys."

"My first impression of Naughty Professor was one of amazement,” Chali 2na notes. "New Orleans is full of musicians that are masters of their craft, and Naughty P is no exception. They are also perfectionists and students of the game. This is immediately apparent once you hear them play.

"I am loving the resurgence of jazz combined with this youthful mindstate that musicians have today," Chali continues," and Naughty Professor is pushing that envelope."

The band recorded each track on Identity live in the studio, heightening the immediacy of the performances and solidifying the band's connection with the guest collaborators. The sessions were also documented on video, with an eye towards releasing a video version of the album.

A wide range of musical impulses has driven Naughty Professor ever since the band members first convened in 2010, having met while students at Loyola University's jazz program. The musicians' potent collective chemistry quickly won attention on the New Orleans music scene. After graduating, they began touring, expanding their audience nationwide.

Naughty Professor's first three albums—2013's Until the Next Time, 2015's Out On A Limb and 2016's live In the Flesh—further raised the band's national profile. Lauded by critics for having a musical “depth and vision far beyond their young years,” Naughty Professor’s name regularly appears alongside New Orleans’ veteran luminaries. In 2013, the band was nominated by Gambit' Weekly’s Big Easy Music Awards for "Best Emerging Artist," and for "Best Funk Band" every year since. Naughty Professor was also nominated in 2015 and 2016 by Offbeat Magazine’s Best of the Beat Awards for "Best R&B/Funk Artist." In the magazine’s most recent poll, bassist Noah Young and Drummer Sam Shahin were named finalists as the “Best at their Instruments,” furthering the band’s stellar musical reputation.

Identity continues Naughty Professor’s unyielding exploration of their home city’s eclectic musical landscape. "New Orleans is the reason that we were all able to come together, and it's the reason we've been able to continue making music together," says alto and baritone saxophonist Nick Ellman. "We all were drawn to the city, and we all have a tremendous respect for the history of the music culture in New Orleans. In no way are we a traditional New Orleans band, and this is not a traditional New Orleans record, but New Orleans' musical and cultural traditions have everything to do with how we make music."

New Orleans' vital spirit is present throughout Identity, which combines artfully-crafted studio creations with material developed through live performance. “We like being adventurous and cerebral, but fun is also important,” Shahin concludes. “We operate with a jazz mentality, but we like verse/chorus structures. We definitely embrace the idea that we’re bridging the gap between the more thought-provoking side of jazz and popular mainstream music, and making the whole thing fun and accessible.”

The result is Identity, Naughty Professor's most potent and ambitious musical statement to date. It is a record that, by collecting together diverse and disparate musical voices into a seamless whole, simultaneously honors the past and pushes into the future.

Naughty Professor has shared the stage with artists such as Galactic, Snarky Puppy, Victor Wooten, Rebirth Brass Band, Fitz and the Tantrums, The Revivalists, Big Sam's Funky Nation, Papadosio, George Porter Jr., The Soul Rebels, and many more

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Standing Room Only, General Admission Venue

Venue Information:
Washington's
132 Laporte Ave
Fort Collins, CO, 80524