Eli Paperboy Reed, Israel Nash

105.5 The Colorado Sound’s 3rd Birthday Party with

Eli Paperboy Reed

Israel Nash

Dressy Bessy

Saturday, March 2

Doors: 6:00 pm / Show: 7:00 pm

Washington's

$16.00

Eli Paperboy Reed
Eli Paperboy Reed
The collaboration between Soul shouter Eli Paperboy Reed and the 10-piece bombastic fury that is High & Mighty Brass Band was a long time coming. From the first time that Reed joined High & Mighty on stage it was clear that the combination was special. Reed’s powerful wailing over the top of a 10-piece brass band complete with tuba, two drummers, trombones and trumpets was a sound that had never been heard before.

After several high-profile shows together in Brooklyn, NY and Las Vegas, NV, it became abundantly clear that The Paperboy and The Brass Band needed to meet in the recording studio. Over the course of three days in July of 2017, they recorded 11 tracks, all live to reel-to-reel tape. The selections include radical brass-band rearrangements of some of Reed’s Soul classics (“Come and Get It”, “WooHoo”, “Take My Love With You”), covers (Beyonce’s “Love on Top”) and a brand new Reed composition written specifically for this LP (“As I Live and Breathe”).

The finished product, Eli Paperboy Reed meets High & Mighty Brass Band, showcases the strengths of both performers. The sheer power and dynamic interplay of the High & Mighty horns coupled with the aggressive, exciting and preeminently soulful singing of Reed has to be heard to be believed. Drop the needle on EPR meets HMBB and you won’t be able to stop your feet from moving and your hands from clapping. Eli “Paperboy” Reed and High & Mighty Brass Band are on fire!
Israel Nash
Israel Nash
Texas’ genre-bending rock ‘n’ roller Israel Nash presents his latest long play, Lifted. It is a modern day hippie-spiritual, a tonic for those needing to put aside the mess of the daily grind. With luscious beds of strings, horns and well adorned towering walls of sound, Lifted finds Nash continuing his tradition of creating a sonic experience of feeling that is at once both vast and intimate - soaring and untamed at times, placid and sincerely personal at others.

Originally from the Ozarks of Missouri, Israel Nash has made his home in Dripping Springs, Texas for the greater part of a decade. There, on his ranch with sweeping views of the Texas Hill Country, the tall, hirsute mountain man

built his own studio; a Quonset hut structure he’s dubbed Plum Creek Sound. The studio became a sanctuary, a creative outlet where Nash reached a meditative state of escapism, which ultimately became the inspiration behind Lifted. The creative process of writing, recording and producing Lifted allowed Nash to leave his own downhearted feelings about the political landscape of the recent elections and the deeper queries of purpose and life that supersede the material world. Nash wrote and recorded Lifted with the intention of achieving a sonic experience that will elevate the listener - that the feeling of peace, love and happiness which saturates the words and music can provide the same escape he achieved while creating the LP.

Being able to finally use Plum Creek Sound to its utmost, Nash incorporated found sounds and field recordings from his Texas ranch to create a setting of the sounds that represent his Hill Country life. Drums played in rain collection tanks, water rushing against the limestone, frogs and crickets in their habitats, and even a curious, yet guarded rattlesnake, all appear throughout the record. Inspired by methods pioneered by John Cage, Nash also randomized sounds and music and rearranged them according to the I Ching (The Book of Changes). Utilizing these recording and tracking techniques help create a sonic and very present picture of Nash’s home and his life. Accompanied by his longtime band, with arrangements by Jesse Chandler (Mercury Rev, Midlake), horns by members of Austin’s cumbia/funk compadre’s Grupo Fantasma, and strings from Kelsey Wilson and Sadie Wolf of indie pop’s Wild Child, Nash, alongside co- producer and engineer Ted Young (Kurt Vile, The Rolling Stones), presents an album that soars as a masterwork of American roots songs, meticulously crafted and gently sprinkled with life meaning and multi-hued rock and psychedelia.

“It’s all about finding, searching for little sparks of inspiration. It may be a sound, a groove, a color, or even an object. Old things are inspiring. Whatever it is, when you find it, it spreads like a conflagration that is out of your control. It doesn’t matter if you’re making a record or living your life, find these inspirations with a vigil eye and watch them change both you and your world.”

Lifted opens with an extended instrumental introduction, preparing the listener to get comfortable and settle in for the journey ahead, before blossoming into “Rolling On.” It’s a manifesto, a hearty breath of rock goodness, clean air for all that follows. A sing-along anthem of urgency, encouraging one to let go of yesterday and spring from the traps of worry in order to move onward and upward - rolling on, right here and right now.

“It was a simple message to myself, to not get stuck in thinking and the past. It’s too easy for us to worry about pretty much everything. I had been down and low for a bit and really had to sing and write those feelings away, give them to the moment and find a better self in the end.”

What follows is an Americana-bred opus without equal. From the familial harmonies of “Sweet Springs,” recalling the Beach Boys at their most joyous (almost all performed by Nash himself), to the country rock riffage of “Lucky Ones” and “SpiritFalls” conjuring up that much needed healing, to the album ending “Golden Fleeces,” a sunshine laden song offering up sweet relief from those troubles and tying the preceding up with a sense of lightness and much needed joy.

By immersing oneself in Lifted, one can see Nash succeeds in a way that’s exquisite yet spiritually satisfying. Nash welcomes you to join him on his uplifting path - one he’s taken throughout his career, now continuing on a higher, imaginative plane. May your ears be blessed and may your soul be lifted.
Dressy Bessy
Dressy Bessy
We never broke up," Dressy Bessy singer/guitarist Tammy Ealom says on the occasion of the release of KINGSIZED, her band's first new album in seven years. "It was never our intention to drop out, it just sort of happened. We were dealing with life, but we never stopped making music."
Indeed, the 13-song KINGSIZED makes it clear that, nearly 20 years into their career, Dressy Bessy are making some of their most compelling and accomplished music. Such melodically infectious, lyrically barbed new tunes as "Lady Liberty," "Make Mine Violet" and the anthemic title track are potent examples of the band's uncanny ability to wrap Ealom's personally-charged, pointedly subversive lyrics in sparkling, irresistibly catchy songcraft.
In addition to showcasing the band's musical chemistry, KINGSIZED also draws upon the talents of a wide assortment of friends, admirers, and contemporaries. R.E.M's Peter Buck adds distinctive 12-string guitar on "Lady Liberty" and "Cup 'O Bang Bang," while legendary Pylon frontwoman Vanessa Briscoe-Hay adds her voice to "Get Along (Diamond Ring).” Minus 5/Young Fresh Fellows mastermind Scott McCaughey plays keyboards on "Make Mine Violet" and "57 Disco" and R.E.M's Mike Mills sings on the band's distinctive rendering of the George Harrison classic "What Is Life," which appears as the b-side of the 7" single release of "Lady Liberty."
KINGSIZED, after the departure of original bass player Rob Greene, features an assortment of notable guest bassists as well, including Eric Allen of The Apples In Stereo, Jason Garner of the Polyphonic Spree and The Deathray Davies, Mike Giblin of Split Squad and fabled punk progenitor Andy Shernoff of The Dictators.
KINGSIZED also marks a return to the band’s early recording approach. As Hill explains, "With our first two albums, we were a completely D.I.Y. operation, and we recorded everything at home. Then we did our next three albums in the studio. Three or four years ago, we revamped our home studio, so we could record complete works at home. Now we have the sound quality of a real studio without the time constraints. We have enough time for stuff to jell and enough time to work things out."
While KINGSIZED features some of the most focused, organic music Dressy Bessy has ever made, the new album is consistent with the pursuit of joy and transcendence that's been the band's mission from its early days in its hometown of Denver.
Although such seminal Dressy Bessy releases as Pink Hearts Yellow Moons, The California EP, SoundGoRound, Little Music: Singles 1997-2002, Dressy Bessy and Electrified earned the band an enthusiastic fan base with their effervescent, uplifting pop tunes, they also caused some observers to miss the tougher edge of Ealom's lyrics.
Now that they're back in action with some of their strongest music to date, Dressy Bessy is happy to be back at work. "I feel like we're just starting to get good at what we do," Ealom states. "We've had a lot of time to hone in our sound, knowing what we want to sound like and figuring out what we need to do to get that. I'm really excited about the future."
"We actually kind of know what we're doing now," adds Hill with a chuckle. "We used to always be flying by the seat of our pants, but we're better players, Tammy is a better singer, and we're a better band. I think we've recorded the best album that we ever have, so our plan now is to just get out there and rock, then keep on rocking. We need our fans and we feel like they need us too.
Venue Information:
Washington's
132 Laporte Ave
Fort Collins, CO, 80524
http://washingtonsfoco.com/